letters
to an unknown audience
Over the next several years, Irwin continued this ... successively bringing into question all the usual requirements for the art act—image, line, frame, focus, signature, permanence, eventually even objecthood—but in doing so, he was not rejecting them. He was precisely bringing them into question: he expected answers.—Lawrence Wechsler, Seeing Is Forgetting the Name of the Thing One Sees
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